Author Archives: Mike Cavaroc

Grizzly Bear 399 and Cubs

Spring Wildlife Photography Workshop Wrap-Up


Grizzly Bear #399 watches sunrise over Grand Teton National Park as her cubs graze.

This past Friday, we wrapped up our first annual Grizzly Bear and Spring Wildlife Photography Workshop. There were two workshops spanning five days each scouring both Grand Teton and Yellowstone National Parks for grizzly bears, wolves, black bears, bison calves, and all the other wildlife that calls Yellowstone and Grand Teton National Parks home. Though I was out recovering from a nasty virus for the first workshop, I was able to lead the second one, both coming out a huge success! Due to my absence from the first workshop, this will be a summary of the second workshop, though I was told the first week was able to find a whopping 38 different bears!


Running black bear cub

For the second week, we started our drive from Jackson on Antelope Flats in Grand Teton National Park immersed in a healthy bison herd with the Teton Mountains providing a dramatic backdrop. - Continue reading

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Reclaiming the Night Trailer

Night Photography Explored: Part 7 – Reclaiming the Night


A trailer for Reclaiming the Night, following Wyoming Stargazing’s mission to build an observatory and planetarium in Jackson, Wyoming

One of western culture’s greatest collective fear is the fear of the dark. This fear has been with humanity longer than any written records, and countless stories and myths were created to ignorantly perpetuate that fear. Well into today, that irrational perpetuation is continued through the news outlets, repeatedly reporting of violent crimes taking place from people lurking in the shadows, or psychotic individuals in extremely remote places waiting for someone to park in just the wrong spot. A fear of the big, bad wolf or of the ever-menacing grizzly bear insure that we keep away from nature at night as well, and yet, if we’re to have truly successful night shots, these are the places we need to be to do so. - Continue reading

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Northern Lights and Star Trails

Night Photography Explored: Part 6 – Post-Processing


Stars swirl around Polaris, the North Star, as northern lights dance on the northern horizon over Jackson Hole.

Post-processing can be a very tricky, and often subjective, part of the photo creating process. It opens the door to a number of different formulas, styles, and personal tastes. As a result, I’m only going to explain what I would do in the situations I’ll discuss, primarily using Adobe Lightroom. I take advantage of Adobe Photoshop for some more unusual edits, which we’ll discuss. Regardless, this doesn’t make my edits right or wrong, and they’re certainly not a definitive guide on how to process an image, but it’s how I like my night sky images to look, and therefore, it’s what I know. There are a number of other techniques and styles to look into as well though, so the important factor is finding a style that you like and enjoy and incorporating your own personal tastes into that. - Continue reading

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Maintaining the Dark Skies of Jackson Hole

Maintaining the Dark Skies of Jackson Hole


A presentation I’ll be giving about light pollution in Jackson Hole

On Monday, April 28th, 2014, from 6-8pm, I’ll be giving a presentation at the Teton County Library Auditorium, Side B, about light pollution stemming from the town of Jackson. I’ve written about light pollution before, but in writing that blog post, I’ve learned quite a bit more about the effects, solutions, and even goals to achieve by minimizing its effects. In addition, I was also invited onto the board of Wyoming Stargazing, a non-profit that seeks to bring an observatory and planetarium to Jackson Hole, something that won’t be nearly as meaningful without cutting down on the light pollution emitted from the area.

Throughout the presentation, I’ll be showing examples of businesses and areas around town that are doing severe damage to our night skies, how they can very easily fix them, what the effects of light pollution on humans and wildlife are, speaking about International Dark Sky Association certification and why it matters, showing examples of other dark sky communities and how it impacted their tourism, and much more. - Continue reading

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Black Bear Sow Protecting Cub

Grizzly Bear and Spring Wildlife Photography Workshop

Together with Jackson Hole Wildlife Safaris, I’m offering a spring wildlife photography workshop that focuses on finding the apex predators of the region, along with all the other spring offspring flourishing throughout the ecosystem.

We’ll spend the first few days exploring Grand Teton National Park in search of the grizzly bears that have begun to leave their mark on the park while also capturing and taking advantage of all the other wildlife we find along the way. Most of the time will be spent where we encounter grizzlies most often, so much of the attention will go to them, but we will certainly take advantage of other opportunities and sights in between the grizzly bear opportunities.

After a few days in Teton Park, we’ll head up north in search of the famous Yellowstone wolves as well as other grizzlies and abundant wildlife. - Continue reading

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Geminid Meteor Over Gros Ventre River

Night Photography Explored: Part 5 – Meteor Showers


A Geminid Meteor streaks through the sky above the Gros Ventre River in Grand Teton National Park.
Camera: Canon 5D Mark III, Lens: Canon 17-40mm f/4, Aperture: f/4, ISO: 4,000, Shutter Speed: 10sec., Focal Length: 17mm

By contrast to photographing the northern lights, meteor showers are much more predictable for their peak and thus help to be easily planned out to photograph. Predicting exactly when a meteor is going to streak across the sky though is a lot like trying to predict when lightning will strike. This section will help you get the most out of every meteor shower so that you’ll be able to come away with some great shots of shooting stars!

Setting Up

This is where you’ll definitely want to be capturing more sky than land, even if there is moonlight. Your composition can certainly have some distinct silhouettes, or even features if there’s moonlight, but you want the majority of your image to be of the night sky. - Continue reading

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