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Category Archives: How I Shot It
A bull moose walks through sagebrush during a winter storm in Grand Teton National Park, Wyoming.
One of the trickiest times to photograph wildlife is during a snowstorm. The bright, white snowflakes distract many auto-focus mechanisms on lenses no matter how expensive the glass. Thanks to a bit of modern technology though, there is a more reliable work-around than manually focusing, provided you have an animal that is not moving too quickly.
In the case of this bull moose during a winter storm, I had been attempting to get an auto-focused shot of him, but the snow was so thick, shots were being lost as the snow continued to fall quite heavily. The Canon 7D, along with most newer cameras, have the ability to switch to a live-view mode. By using this feature, I had turned it on showing a preview of the scene, zoomed in by a factor of … Continue reading
Mountain lion kittens sit cautiously next to their mother in Grand Teton National Park, Wyoming.
This isn’t so much a post about the technical aspects of how I got this shot so much as it is a reminder to listen to your intuition. A lot of people confuse intuition with overthinking a certain situation. Intuition does not come with weighing the pros and the cons, nor does it come with analyzing options. It is usually referred to as a gut instinct that often requires you to change your plans to fully experience the true outcome of what it is it’s calling you to.
Such was the case when I got this photo of a mountain lion mother with her two, nearly grown, kittens. (On a side note, it’s been suggested multiple times that these are three kittens. In the tracks I had found that morning, as well as the next … Continue reading
The northern lights shine behind and above the Moulton Barn on Mormon Row in Grand Teton National Park, Wyoming.
I was recently asked on my Facebook photography page to do a blog post on how I shot this photo. It seemed like a good idea to me, so here’s the first installment of a series of posts that probably won’t have any kind of regularity, but I hope some people will find useful.
This photo had very little post-processing work done to it; just the usual contrast, exposure, and color settings. One thing I believe heavily in is in getting the shot right from the start in the camera. This includes everything from effects, when possible, to even the cropping. As a result, this is the full crop of this image and the light-painting on the barn was just about the exact exposure I wanted. It only required a slight … Continue reading