Prints on Fine Art America
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Category Archives: Panorama
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Hoar frost clings to trees along the Snake River on a chilly January morning in Grand Teton National Park.
Despite a lack of wildlife to be found around the area, I was still able to make great opportunities as they arose. The winter had turned into an unusually warm one for Jackson Hole and while normally it’s too cold to even snow, rain was becoming common throughout January. Yet winter still persisted off and on. On one such morning, I woke up to -17F and made an opportunity to make the most of it. One of my favorite series of shots came from a bridge crossing the Snake River in Grand Teton National Park. Small pieces of ice were carried down the water from farther upstream as an earlier fog coated the trees that lined the river in hoarfrost. – Continue reading
Snow-covered pine and spruce trees create an abstract landscape in Grand Teton National Park, Wyoming.
Last year, I headed into the interior of Yellowstone National Park with another photographer. We were riding a snowcoach in and out, both times during a snow storm, and there was also plenty of fresh snow from days prior. On the rides in and out, the two of us noted how much more vibrant the trunks of the trees were in certain places. The snow built up on the branches and needles muted the greens of the pine and spruce leaving the brown of the bark the only really noticeable color. Reflected against solid whites and set against what the eye perceived as blacks, or at least dark tones, they popped out in ways neither of us had ever really noticed before. There were only a few ideal locations where it was really evident, but those unfortunately weren’t stops that the snowcoach was going to make. – Continue reading
Pilgrim Mountain in Grand Teton National Park, Wyoming rests under glowing sunset clouds.
I found myself rather unproductive in early 2011 in terms of stills. With the recent purchase of a 7D and getting it up to working order, as well as discovering time-lapse photography, my still photography became a bit stagnant. As a result, most of my work was in the form of a time-lapse and before finding a good balance of time-lapse, video and still, I even wondered if I would move entirely into video. Eventually the balance did work itself out and once I had my 7D back and functioning properly the following spring, it was full-steam ahead in every direction!
I discovered this image during that time after forgetting about it. I was looking back through a day in January where I hadn’t shot very much at all, but saw potential in a nice sunset above Pilgrim Mountain. – Continue reading
A fiery sunrise lights up the clouds above Canyonlands National Park, Island in the Sky District near Moab, Utah.
Several months ago, I was visiting with another photographer passing through town, and we got on the discussion about breathtaking sunrises and sunsets. We both agreed that no matter what the foreground or landscape below looked like, it would come out looking great simply because of the light and clouds, provided they offered enough interest. While I certainly agreed with it, it was never my intent to be forced to try it. As a photographer, I always want to be around some magnificent landmark with such dramatic skies.
On my recent road trip, my first morning into Canyonlands National Park, however, gave me no other choice. I miscalculated the distance from my campground to the park, and as a result, saw the beginning signatures of a brilliant sunrise forming while I was still driving to the entrance. – Continue reading
The Sleeping Indian (aka, Sheep Mountain) rests beneath storm clouds passing over Jackson Hole, Wyoming.
Most people interested in photography begin to learn that sunset is the best time of day to shoot. While most would like to get up for sunrise, many don’t. They also begin to learn why mid-day shooting is the hardest light to shoot in and thus, will work sunset into their day as the optimal time of day to shoot.
The light is certainly ideal then, but in reality, if there’s light, there’s something to shoot. One of the most underrated times to shoot, especially with cooperative weather in the area, is actually after sunset. When the last pastel hues have faded from the clouds, you’ll see the majority of people packing up their gear and heading in. Some of the most interesting shots however, can come when all that’s left is atmospheric light produced from the end of the day reflecting off clouds. – Continue reading
I never want to perfect my craft because then it would be boring and uninteresting. Likewise, I never want to be the best so that I’ll always enjoy looking at other people’s work and finding new inspiration. – Continue reading
Clouds pass over Turquoise Lake in the Gros Ventre Wilderness of Wyoming.