Grizzly Bear #610 in Sagebrush

Grizzly Bear #610 of Grand Teton National Park, Wyoming walks through a sagebrush meadow. (Mike Cavaroc)
Grizzly Bear #610 of Grand Teton National Park, Wyoming walks through a sagebrush meadow.

This past weekend I was up in Grand Teton National Park searching out Grizzly Bears #610 her mother, #399, after hearing reports that they were out and about on the berries. After catching an amazing sunrise, I was delighted to find her and her three cubs grazing in a meadow. Myself and a small group of other photographers and tourists watched her for a while before she began to head east. Another photographer and I knew exactly where she was going and moved out, anxious to catch her in a prime location. Sure enough, moments later, she emerged where we were and I was able to catch some great shots of her and her cubs as they passed by, heading toward a creek. She’s looking a little thin here, but that’s nothing hundreds of thousands of berries a day, plus other fall nutrition can’t fix.

This morning I’m plowing through as much work as I can to head back up there again for a few days to hopefully have another encounter this good.

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Sunrise Over the Teton Mountains

Clouds reflect sunrise light over the Teton Mountains in Grand Teton National Park, Wyoming. (Mike Cavaroc)
Clouds reflect sunrise light over the Teton Mountains in Grand Teton National Park, Wyoming.

This past weekend I headed into Grand Teton National Park after hearing several reports from friends that both Grizzly Bears #610 and #399 had been spotted with a bit of regularity again. On Friday morning, I woke up just before sunrise in the park and headed out to Pacific Creek Road, where I had seen #610 the evening prior. Before she emerged however, I saw the makings of a pretty great sunrise in the works. Most of Pacific Creek Road isn’t exactly ideal for sunrise shots, so I headed back up the road to a clearing that was slightly elevated, giving me a nice view of the Tetons, where most of the action looked like it was taking place anyway.

Granted I visit this area very often, but even if you’re new to an area, it’s a good idea to scope out where you are when you’re not shooting to have a good idea of where to go should light like this make its way in. If you don’t want to shoot in midday light, that makes for a great time to explore, get your bearings and find a good spot for a sunrise or sunset should you find yourself there during that time. A little mental note goes a long way.

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Two of Grizzly Bear #610′s Cubs

Two of Grizzly Bear #610's three cubs play in sagebrush in Grand Teton National Park, Wyoming. (Mike Cavaroc)
Two of Grizzly Bear #610′s three cubs play in sagebrush in Grand Teton National Park, Wyoming.

I had heard that both grizzly bears #610 and her mother, #399, have been seen lately relatively frequently, so yesterday I drove up into Grand Teton National Park to stay for the weekend and see if I could find them. As it turns out, this morning worked out great as I was able to come away with some good shots of 610 and her three cubs. Here are two of her three cubs briefly playing in the sagebrush while trying to keep up with their mother. They sure are getting big!

This photo was roughly processed on my laptop, so expect a slightly differently processed version up some time next week.

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The Most Dangerous Photo I’ve Ever Taken

Grizzly bear #399 of Grand Teton National Park and her three cubs near Moran, Wyoming.  All cubs are three years old as of photo capture in April 2008.  She was roughly one month away from abandoning the cubs. (Mike Cavaroc)
Grizzly bear #399 of Grand Teton National Park and her three cubs walk through snow, April 2008.

I was recently asked by a fourth-grader via email what the most dangerous photo I had ever taken was. I began looking through my library for shots with exciting stories with at least a hint of danger, and then I came across this photo. I was in a small crowd of other photographers standing on a small bridge, so there was no danger of being attacked. So what makes this photo so dangerous? This photo caused a massive earthquake in my life and forced me to act on a bigger risk than I had ever taken before.

I took this photo while I was on a spontaneous road trip with the intent to explore Utah, Wyoming, Colorado and New Mexico before returning home in Phoenix, Arizona at the time. The original plan was just to revisit Grand Teton National Park where I had only briefly driven through four years earlier, and then continue east into eastern Wyoming. I was on my way out the park when I saw a small gathering of photographers along the roadside across from Lozier Hill. Having seen at most only one car up until this point, I figured this was worth parking and getting out to see what was going on. Before I could even ask what they were looking at, I saw dark forms through the trees slowly moving east. As they came into a clearing, my eyes opened up at the sight of not just my first wild grizzly bear, but my first wild grizzly bear with three three-year-old cubs! I eventually learned that this was grizzly bear #399, whom had become increasingly famous in the area for successfully raising her cubs along the roadsides of the park.

I followed the bears with the other photographers there for roughly four or five hours before the bears disappeared into the wilderness. It was the most fun I had had with my camera since I first got one four years earlier. Watching such a majestic creature exploring its natural habitat was an indescribable sight that had unknowingly planted a seed in my soul to experience that a more frequent basis.

I stayed in Jackson Hole for the rest of the trip and wound up driving back to my home in Phoenix in one 16-hour day. I had a good life going in Phoenix, but I underestimated the experience of observing so much abundant wildlife in such a naturally beautiful and protected place. That seed that grizzly bear #399 had planted in me was just about to bloom though. I returned with my fiancee at the time that following September and upon our return, felt a tug to move up to Jackson, Wyoming. I enthusiastically expressed my interest in moving up there to her and was frustrated to learn that she wanted nothing to do with it, not because she didn’t enjoy her time up there, but because Phoenix was her home.

I was confronted with a difficult decision that left my mind in all kinds of knots. On one hand, I had a life in Phoenix where I was engaged to a beautiful and caring girl, and on the other were my hopes and dreams steering me into the unknown. I was torn for weeks trying to reach some kind of compromise with her. In examining my life closer, it became obvious that her and I were simply on different paths in more than one way and the risk of leaving one life to start another became too alluring to ignore as the tug grew increasingly stronger.

During my drive up to Jackson Hole, I began second guessing everything. I had never abandoned so much to just go into the unknown. Four years earlier I had left a great network of friends in Texas to move to Phoenix, where I had never even visited before, but this time I had had an established life with a great girl in addition to plenty of great friends. Had I just self-sabotaged my own life while at the same time sabotaging hers as well? Two days of driving was giving me plenty of time to wonder if I should just turn around and think about it more. Eventually I talked myself back into the initial feeling I had felt nearly two months earlier; the feeling of just starting over in a place with so much wildlife in the middle of the mountains. I pushed through it, determined to at least give it a shot.

Fast forward nearly three years later, and my photography has matured faster than I could have ever imagined. I have my own free-lance web design business that keeps my schedule open and free for spontaneity, and have been able to observe more wildlife than I ever thought I would be able to in my lifetime. What about her? She’s better than ever. She’s in a new relationship that’s much more conducive to what she wants than I could have ever given her and she’s also pursuing more goals than I had ever even heard her mention around me.

The lesson I learned was that if you feel "tugged" in a certain direction by a feeling you can’t describe, you have to follow it. I’ve preached similar concepts on this blog before, but that was the biggest one that got me to really notice it. Many people worry about those that will be affected if they follow that tug, but when you follow it and make the most of it, you’ll eventually inspire those people to more as well, whether directly or indirectly.

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Why You Shouldn’t Give Too Much Weight to ANY Critics

The Milky Way Galaxy shines over Granite Canyon in Grand Teton National Park, Wyoming. (Mike Cavaroc)
The Milky Way Galaxy shines over Granite Canyon in Grand Teton National Park, Wyoming.

A blog post has been going around published by PetaPixel that gives a great example of why you shouldn’t take into account what random people online say about your work. I whole-heartedly agree with it, but I also encourage taking it a step further.

My personal advice is to not care what anybody says about your work. Sure, there are times where you might welcome criticism for various reasons, but if you’re out to seek approval from people, then you’re forgetting the whole reason you’re making that work in the first place. For nature photographers especially, when you’re out capturing an exciting moment, are you really concerned with how people are going to react to what you’re capturing? Or are you living in the moment, basking in the excitement and rush of freedom to express yourself in any way you want in that very moment?

That’s the attitude you should have whether you’re capturing that moment, or retelling it for your friends and colleagues. Even if they say they don’t like it, who cares? It was the moment in which that shot was taken that’s important, not the reaction. You’re out the for the love of what you do and the more you remember that, the more it will show in your work as it grows within you.

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