Spring Wildlife Photography Workshop Wrap-Up

Grizzly Bear #399 watching sunrise with her cubs, Grand Teton National Park, Wyoming (Mike Cavaroc)
Grizzly Bear #399 watches sunrise over Grand Teton National Park as her cubs graze.

This past Friday, we wrapped up our first annual Grizzly Bear and Spring Wildlife Photography Workshop. There were two workshops spanning five days each scouring both Grand Teton and Yellowstone National Parks for grizzly bears, wolves, black bears, bison calves, and all the other wildlife that calls Yellowstone and Grand Teton National Parks home. Though I was out recovering from a nasty virus for the first workshop, I was able to lead the second one, both coming out a huge success! Due to my absence from the first workshop, this will be a summary of the second workshop, though I was told the first week was able to find a whopping 38 different bears!

Black bear cub running through a meadow, Grand Teton National Park, Wyoming (Mike Cavaroc)
Black bear cub running through a meadow, Grand Teton National Park, Wyoming

For the second week, we started our drive from Jackson on Antelope Flats in Grand Teton National Park immersed in a healthy bison herd with the Teton Mountains providing a dramatic backdrop. - Continue reading

Categorized: JH Wildlife Safaris, photo workshop, Travel Logs
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Night Photography Explored: Part 7 – Reclaiming the Night


A trailer for Reclaiming the Night, following Wyoming Stargazing’s mission to build an observatory and planetarium in Jackson, Wyoming

One of western culture’s greatest collective fear is the fear of the dark. This fear has been with humanity longer than any written records, and countless stories and myths were created to ignorantly perpetuate that fear. Well into today, that irrational perpetuation is continued through the news outlets, repeatedly reporting of violent crimes taking place from people lurking in the shadows, or psychotic individuals in extremely remote places waiting for someone to park in just the wrong spot. A fear of the big, bad wolf or of the ever-menacing grizzly bear insure that we keep away from nature at night as well, and yet, if we’re to have truly successful night shots, these are the places we need to be to do so. - Continue reading

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Grizzly Bear and Spring Wildlife Photography Workshop

Together with Jackson Hole Wildlife Safaris, I’m offering a spring wildlife photography workshop that focuses on finding the apex predators of the region, along with all the other spring offspring flourishing throughout the ecosystem.

We’ll spend the first few days exploring Grand Teton National Park in search of the grizzly bears that have begun to leave their mark on the park while also capturing and taking advantage of all the other wildlife we find along the way. Most of the time will be spent where we encounter grizzlies most often, so much of the attention will go to them, but we will certainly take advantage of other opportunities and sights in between the grizzly bear opportunities.

After a few days in Teton Park, we’ll head up north in search of the famous Yellowstone wolves as well as other grizzlies and abundant wildlife. - Continue reading

Categorized: JH Wildlife Safaris, photo workshop, Video
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Night Photography Explored: Part 5 – Meteor Showers

A Geminid Meteor streaks through the sky above the Gros Ventre River in Grand Teton National Park, Wyoming. (Mike Cavaroc)
A Geminid Meteor streaks through the sky above the Gros Ventre River in Grand Teton National Park.
Camera: Canon 5D Mark III, Lens: Canon 17-40mm f/4, Aperture: f/4, ISO: 4,000, Shutter Speed: 10sec., Focal Length: 17mm

By contrast to photographing the northern lights, meteor showers are much more predictable for their peak and thus help to be easily planned out to photograph. Predicting exactly when a meteor is going to streak across the sky though is a lot like trying to predict when lightning will strike. This section will help you get the most out of every meteor shower so that you’ll be able to come away with some great shots of shooting stars!

Setting Up

This is where you’ll definitely want to be capturing more sky than land, even if there is moonlight. Your composition can certainly have some distinct silhouettes, or even features if there’s moonlight, but you want the majority of your image to be of the night sky. - Continue reading

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Night Photography Explored – Part 4: Northern Lights

Multiple meteors falls toward the northern horizon of Jackson Hole, Wyoming as northern lights illuminate the night sky above. (Mike Cavaroc)
Multiple meteors falls toward the northern horizon of Jackson Hole, Wyoming as northern lights illuminate the night sky above.
Northern lights above Teton Mountains
Camera: Canon 7D, Lens: Sigma 20mm f/1.8 Aperture: f/2.8, ISO: 3,200, Shutter Speed: 20sec. Focal Length: 20mm

The northern lights (aurora borealis; also southern lights for the southern hemisphere, aka, the aurora australis) are one of the most sought-after phenomena in the night sky. Casting bright, colorful lights from above, they have entranced civilizations for countless years. Thanks to digital photography, photographing them has recently become one of the most exciting objects to capture. Unfortunately, few people really know how to take advantage of the opportunity, so hopefully this will help you capture them next time you’re out. The term ‘northern lights’ can be replaced at any point with ‘southern lights’. I’ll use the terms interchangeably. Likewise, I’ll also use auroras where either southern or northern lights could be used. - Continue reading

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Night Photography Explored – Part 3: Moonlight

The Gros Ventre River, frozen from freezing temperatures, flows through Grand Teton National Park, Wyoming. (Mike Cavaroc)
The Gros Ventre River, frozen from freezing temperatures, flows through Grand Teton National Park.
Camera: Canon 5D Mark III, Lens: Canon 17-40mm f/4, Aperture: f/11, ISO: 3,200, Shutter Speed: 10sec., Focal Length: 17mm

For many night photographers, the moon can be more of a deterrent from proceeding with night shots. Moonlight drowns out many faint stars, as well as the Milky Way. That means that you won’t be capturing bright Milky Way shots filled with an unfathomable amount of stars flooding a night sky. Where it hampers dark sky photography, however, it opens up new landscape possibilities, bringing new life to familiar scenes.

With moonlight, the focus isn’t just on the stars as it was with new moon photography. Instead, you now have the option to compose full landscapes and any sky that’s included will likewise include the brightest stars from the night sky, making it much easier to isolate many constellations. - Continue reading

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