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Multiple meteors falls toward the northern horizon of Jackson Hole, Wyoming as northern lights illuminate the night sky above.
Northern lights above Teton Mountains
Camera: Canon 7D, Lens: Sigma 20mm f/1.8 Aperture: f/2.8, ISO: 3,200, Shutter Speed: 20sec. Focal Length: 20mm
The northern lights (aurora borealis; also southern lights for the southern hemisphere, aka, the aurora australis) are one of the most sought-after phenomena in the night sky. Casting bright, colorful lights from above, they have entranced civilizations for countless years. Thanks to digital photography, photographing them has recently become one of the most exciting objects to capture. Unfortunately, few people really know how to take advantage of the opportunity, so hopefully this will help you capture them next time you’re out. The term ‘northern lights’ can be replaced at any point with ‘southern lights’. I’ll use the terms interchangeably. Likewise, I’ll also use auroras where either southern or northern lights could be used. – Continue reading
The Milky Way Galaxy arches over Jackson Hole, Wyoming as northern lights glow on the northern horizon.
Camera: Canon 7D, Lens: Tokina 11-16mm f/2.8, Aperture: f/2.8, ISO: 5,000, Shutter Speed: 30sec., Focal Length: 11mm
There’s an expression in photography that says, "Don’t pack till it’s black," implying that as long as there’s light in the day, there’s still something to shoot. While it’s certainly true, one of the most exciting times for photography is when it has actually gone black, or rather, during night time hours. Whether there’s a new moon, full moon, or something spectacular in the sky, there’s still plenty of light to work with to create something interesting. This is the first of several posts that will focus on how to capture and maximize your time out under a starry night sky. Everything will be discussed, from gear, to setting up the shot, to post-processing techniques. – Continue reading
As always, clicking on an image will bring you to a higher quality version.
Hoar frost clings to trees along the Snake River on a chilly January morning in Grand Teton National Park.
Despite a lack of wildlife to be found around the area, I was still able to make great opportunities as they arose. The winter had turned into an unusually warm one for Jackson Hole and while normally it’s too cold to even snow, rain was becoming common throughout January. Yet winter still persisted off and on. On one such morning, I woke up to -17F and made an opportunity to make the most of it. One of my favorite series of shots came from a bridge crossing the Snake River in Grand Teton National Park. Small pieces of ice were carried down the water from farther upstream as an earlier fog coated the trees that lined the river in hoarfrost. – Continue reading
The northern lights shine behind and above the Moulton Barn on Mormon Row in Grand Teton National Park, Wyoming.
I was recently asked on my Facebook photography page to do a blog post on how I shot this photo. It seemed like a good idea to me, so here’s the first installment of a series of posts that probably won’t have any kind of regularity, but I hope some people will find useful.
This photo had very little post-processing work done to it; just the usual contrast, exposure, and color settings. One thing I believe heavily in is in getting the shot right from the start in the camera. This includes everything from effects, when possible, to even the cropping. As a result, this is the full crop of this image and the light-painting on the barn was just about the exact exposure I wanted. – Continue reading
Last night concluded the Art Association of Jackson Hole’s first annual photography competition series. It was a four-part, juried competition with a different theme each week. Though I never placed first, I did receive 3rd place in the first week and 2nd place in the second week. I was very surprised and honored, however, when I was awarded Best in Show last night at the final opening. The reasoning I was told was because in addition to getting an entry into each competition, I still maintained my personal style and consistency of work despite the wide range of categories.
Below are my entries, along with each theme.
Energy and Adrenaline – 3rd Place
A dramatic sunset casts a pink glow over the North Fork of Cascade Canyon in Grand Teton National Park.
For Energy and Adrenaline, I knew a thunderstorm would best convey that premise through my work. – Continue reading
Moonlight illuminates Glen Canyon and the Colorado River near Page, Arizona.
In Part 1, I discussed the ideal settings for shooting a dark night sky under a new moon, as well as what all those settings mean. If you’re not comfortable working in Manual Mode (M) on your camera, you should go back and read it to make sure you’re up to speed. This section will assume that you’ve got the basic understanding of M Mode and how it works.
This time around, I’ll be discussing how to alter those settings to account for a full moon, how to capture star trails, and also how to photograph the northern or southern lights, aka the Aurora Borealis or Australis, respectively.
Understanding The Histogram
Before moving further, it’s important to understand the histogram as displayed within the camera. Put simply, the histogram shows you the light that was captured in a given scene. – Continue reading