About MeI live in Jackson Hole, Wyoming where I explore the deeper reaches of the Greater Yellowstone Ecosystem while also trying to raise awareness about light pollution and the importance of dark skies through photography and video.
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Shortly after moving out to Phoenix, Arizona in 2004, I got sight of my first strip mine. Even back then, before I was really into photography and before the thought of conserving nature had ever even entered my head, I found it to be a horrendous sight. Entire mountains being completely devoured, forever changing what was once a beautiful desert landscape. Social media was only in its infancy, and as a result, I felt powerless about voicing my opinion on something so incredibly disgusting looking. The friends I voiced my opinions to agreed, but it didn’t help us to feel like we had any more power than the mines did.
Fast forward to 2011, where social media has not a become a way of life, but was a crucial aid in helping an entire population of Egypt take their country back!
Every now and then I like to clean out my archives, which either means removing images that aren’t up to my standards, or redoing an image that just never seemed to pop like it should.
Such was the case with this image of a thunderstorm over Sugarloaf Mountain in Valley of the Gods in southern Utah. I had always liked this image, but it never really had much going for it. Well turns out when I originally uploaded it I did a minimal amount of processing to it. In the last couple of days I noticed it again and gave it the proper attention it needed and now am really happy seeing this image in the way I remember it looking when I took it back in 2008. It’s images like these that have me yearning to get back down to the desert soon.
Finding a good black and white photo isn’t always as easy as many people might think at first. The most important thing to remember is that color photos will always convert to a better black and white image than a photo shot as a black and white in the camera. Why is that? Because the camera is simply making an arbitrary conversion and once it’s saved, that’s what you get. On the other hand, if you start with a color image and proceed to make the black and white conversion in a program such as Adobe Lightroom or Photoshop, you have full control over the intensity of each color. Using these tools you can decide if you want an intense, bold look, much like Ansel Adams, or scale it all back for a more subtle and softer tonal shift.
On the first leg of my trip, I hit an unexpected cold front. Since I was only a couple of hours away from Zion National Park, I decided that that would be the best place to wait it out for a couple of nights since it was much lower in elevation than where I was, and thus, warmer. The next day I made the best of it and spent the entire day hiking around Zion Canyon, warming up at Weeping Rock, where this photo was taken, then moving on to Hidden Canyon, The Emerald Pools and finally, after a nice lunch and break, heading up Angel’s Landing.
To put it simply, don’t let the weather ruin your day, or especially your entire trip.
Sunset light hits a log overlooking Squaw Flats in The Needles District of Canyonlands National Park, Utah.
Having never been to The Needles District of Canyonlands National Park prior to my most recent road trip, I wasn’t quite sure what to expect or which hikes I should ever do. I was told to hike The Joint, but by the time I got there it was a little late to start a hike of that length. I eventually settled on the Big Spring Canyon/Squaw Flats Loop and I neared the end of the hike as the day was beginning to wind down. I sat here for probably an hour or so basking in absolute silence and gazing at such incredible scenery surrounding me in 360 degrees. This is definitely a place I’ll be getting back to in the near future.
First off, if you don’t see the hikers in the photo, they’re at the very bottom-right. I was glad I got them in there since they provide such a great sense of scale. The trail itself to Angel’s Landing in Zion National Park, Utah starts off not too different from any other moderate-to-strenuous hike. You’re climbing up the western wall of Zion Canyon before reaching a narrow canyon that will take you up to Scout’s Lookout where you get a good view of the last half-mile: an ascent straight up Angel’s Landing. The rock formation known as Angel’s Landing, which is what the hike is named for, shoots out of the canyon walls and goes seemingly straight up into Zion Canyon. The trail narrows in some places to no wider than about ten feet (with a chain to hold on to) and on either side is roughly a 1,000 foot drop.